An analysis of Elizabethan ; and some twentieth century methods of producing Shakespeare’s Hamlet.
In | McGill University: eScholarship@McGill |
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Ressourcentyp | Hochschulschrift |
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Sprache | Englisch |
Beschreibung | During the past half-century ; there has been a growing tendency to take Shakespere from the theatre and place him on the bookshelves of educational institutions and private
homes. Consequently ; Shakespere is thought of more in literary than in theatrical terms ; and there has grown up a whole generation of people whose closest association with Shakespere has been in the school or college classroom. In his day ; the plays were witnessed ; heard ; and felt ; even in our grandfathersf and fathers' day there were still repertory companies which presented Shakespere as a part of their regular programme. Our ovm generation is one of the few ; since the plays were written ; to see creditable performances of the plays only at wellspaced intervals ; and then usually in large theatrical centres such as London or New York.[.]
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