Dancing in suits: a performer's perspective on the collaborative exchange between self, body, motion capture, animation and audience
| In | Deakin University: Deakin Research Online (DRO) |
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| Datum | |
| Sprache | Englisch |
| Beschreibung | The motion capture process places unique demands on performers. The impact of this process on the simultaneously artistic/somatic nature of dance practice is profound. This paper explores, from
a performer’s perspective, how the process of performing in an optical motion capture system can impact and limit, but also expand and reconfigure a dancer’s somatic practice. This paper argues that working within motion capture processes affects not only the immediate contexts of capture and interactive performance, but also sets up a dialogue between dance practices within and beyond the motion capture studio.
Conference Paper |
| Schlagwörter | |
| Rechteangaben | 2013, ISEA |
| Mitwirkungen | , , , , , |
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| Homepage | Deakin University: Deakin Research Online (DRO) via BASE - Bielefeld Academic Search Engine |
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