Klasikinės sarabandos bruožų modifikavimas J. S. Bacho Partitose klavyrui (BWV 825–839) ; Modification of the features of the classical sarabande in J. S. Bach’s Partitas for claviers (BWV 825–839)
| In | LAEI VL (Lithuanian Institute of Agrarian Economics Virtual Library) |
|---|---|
| Ressourcentyp | Zeitschriftenartikel |
| Datum | 
2015 (Erscheinungsdatum) |
| Sprache | Litauisch Englisch |
| Beschreibung | The dance suite that was firmly established in the genre hierarchy of the baroque epoch underwent a long and dynamic formation process before the composition of the classical
dance suite proposed by J. J. Froberger became permanent. Influenced by the trajectory of geographical spread, historical and political situation, prevailing composition principles and traditions, composers’ personal inventiveness or talent, early dance suites underwent more than one transformation before features characteristic of every dance were formed. The sarabande, which became one of the four main suite dances, can be counted as the part of the suite that has experienced the most distinct genre changes. Bach’s Sarabandes of six Partitas for clavier (BWV 825–839) can be considered the farthest point of sarabande evolution mostly removed from the earliest Spanish sarabande source.
info:eu-repo/semantics/article |
| Schlagwörter | |
| Rechteangaben | info:eu-repo/semantics/openAccess Open Access |
Mitwirkungen | , |
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| Weitere Links | Link zum Volltext |
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| Verfügbarkeit | Verfügbarkeit via Karlsruher Virtueller Katalog (KVK) prüfen. |
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